Documentary and fiction converge in this intimate portrait of a middle-aged Australian driving home from work over the course of a year. In competition, Rotterdam.
There’s nothing in Australian cinema to compare with this remarkable first feature by filmmaker-barrister David Easteal. Filmed almost exclusively from the back seat of a car that doubles as a safe space and confessional, this deceptively simple film is deeply layered and emotionally rewarding. The affable man at the wheel is Andrew Rakowski, a colleague Easteal met at a Melbourne legal centre. Over the course of Rakowski’s journeys from work to home – solo or with Easteal for company – we learn about the ups and downs of a man whose life story is anything but ordinary. Not a moment is wasted in this boldly conceived, cleverly executed and quietly compelling existential road movie.